Variations on Strindberg
unique exposures on photo paper, 18×24 cm
Baryta prints from 4×5 inch negatives, 28×35 cm / 84×112 cm
When I was a child I often wondered what the world would look like if I would be able to see it not through my own eyes. If the world, seen through somebody else’s eyes, might appear totally different.
My eyes send nerve impulses – raw data, so to say – that are interpreted by my brain: a process of translation that generates images out of electric impulses. This is as far as I thought I understood. But what would the world look like without a brain having to interpret the visual signals? What does the world really look like?
I came across the work of Swedish writer, painter and artist August Strindberg who must have had similar thoughts when he developed the concept for his celestographies, his sky images in the 1890s.
Strindberg was wondering what a depiction of the sky would look like without being altered by a photographic device. He mistrusted optical devices, like a photo camera, or even the human eye. So he refrained from using any kind of photographic apparatus or lenses and started experimenting by placing light-sensitive plates directly under the nightly sky, hoping to gain a true, unaltered image of the firmament. His results are well worth seeing – yet if they show a depiction of the starlit sky is highly doubtful.
During an artist residency in Sweden I started my own photographic experiments following the idea of getting undistorted, “true” images of the world by working directly with photographic film and paper during nighttime.
I used both black and white photo paper and 4×5″ negative film, and exposed them with moon light. The photo paper lead to unique prints. From the negatives I later made analogue prints on fiber-based (baryta) paper.
These images are made without camera – not even a camera obscura. There was nothing between the film and the surrounding nature. These images are not written with light, they are written with shadow.
You might feel reminded of Greek philosopher Plato and his famous Allegory of the Cave. Maybe we have no idea yet of what the world really looks like, and all we see are just shadows of a distant truth.